"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

Here, Here reimagines the coastal town of Lobo, Batangas, years after a foreign extraction company began its mining operations. Koi, a fresh graduate in his 20s returns home after more than two years to accompany his mother, Tonet, in waiting for the former's father. Koi and Tonet are clueless as to whether Koi's father could make it home alive after an accident in the extraction tunnel. Tonet, strong but tender, prepares herself and her home for either of the two possibilities.

Here, Here reimagines the coastal town of Lobo, Batangas, years after a foreign extraction company began its mining operations. Koi, a fresh graduate in his 20s returns home after more than two years to accompany his mother, Tonet, in waiting for the former's father. Koi and Tonet are clueless as to whether Koi's father could make it home alive after an accident in the extraction tunnel. Tonet, strong but tender, prepares herself and her home for either of the two possibilities.

MBN 正在启动公共美术艺术家试选计划。 MBN 11日宣布，“任何人都可以参加的，发掘将成长为艺术界领军人物的艺术家的韩国首个艺术选秀娱乐节目‘画100’将于明年3月首播 ”。 “画100”是一个以即使不是画家也可以成为艺术家为理念的选秀节目，通过初选的约100名参与者通过各种有趣的艺术作品任务相互竞争。 参赛者将在全国各地用各种题材和艺术材料进行绘画，展示自己的艺术技能，成为“决赛入围者”。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

苏韵锦（杨子姗 饰）和程铮（韩东君 饰）是高中同学，在懵懂而又天真的高中时代，两人就对彼此有着淡淡的好感，然而，苏韵锦知道自己和陈铮的生活差异巨大，不可能走到一起，于是刻意回避，然而程铮不离不弃，一直默默关心和照顾着苏韵锦，最终，苏韵锦被程铮感动，两人终成眷属。 　　毕业后，苏韵锦和程铮双双进入社会打拼。苏韵锦是一个工作狂，将大部分时间都投入到了工作中，这让程铮感到很没有安全感，他想过的，是那种平平淡淡的小日子。最终，差距越来越大的两人选择分道扬镳。但虽然身体分开了，但他们的心还是紧紧的连接在一起。